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Rosemary's Baby Ira Levin
Publisher: Signet

You can follow any responses to this entry through the RSS 2.0 feed. This entry was posted on May 1, 2013 at 9:05 pm and is filed under movies with tags cover, directors cut, Fantômas, Film, music, Roman Polanski, rosemarys baby. Save for the Kennedy assassination, coincidence has perhaps never coagulated with the same deeply improbable intensity as it did around the Manson killings. Jacqua Academic Center Auditorium 1615 E. Nathan Walloch's review of Rosemary's Baby One of my favorite things to do in my free time, other than doing homework of course, is to watch a good movie. It's certainly an iconic moment, coming midway through a crucial sequence of Roman Polanski's 1968 chiller Rosemary's Baby. Rosemary's baby costume design is one of the most amazing ones in cinema. Instead, I get more of a crust-punk Rosemary's Baby vibe from the proceedings. Fire-and-brimstone-scented candles, putting on Berlioz' “Witches' Sabbath” (or maybe the Rolling Stones' “Sympathy For The Devil”), and paying tribute to the 1968 movie “Rosemary's Baby” with a hearty cry of “Hail Satan!”. The 60′s dresses collection, the classic nightgowns, and the elegant coats make this movie a real treasure for wardrobe design lovers. Alton Jones Chair of Philosophy, Vanderbilt University.